1956

oil on canvas

49.25 x 63 inches
 (125 x 160 cm)
52 x 66 inches framed
signed lower right

Inquire

Provenance:  
John Heller Gallery, Inc., New York, purchased 1982;
Estate of Marion E. Papp, New York, New York

Exhibitions:  
ACA Gallery and John Heller Gallery,Guttuso, April 7-28, 1958, ill. p.34, no. 9

Literature:  
Enrico Crispolti, Catalogo ragionato generale dei dipinti di Renato Guttuso, Ediz. Giorgio Mondadori, Milano, 1984

Renato Guttuso is one of the most tantalising Italian painters of the 20th century. He was a lifelong communist who loved the dolce vita — his long-term mistress Marta Marzotto was a countess — and his oeuvre is as brimful of contradictions as his life. Pablo Neruda was a witness at his wedding. Pasolini wrote a poem about one of his paintings. When he lined up his paintbrush with his politics, his vision sang with lyrical conviction.
 
Born in Bagheria, near Palermo, in 1911, Guttuso grew up in a country wracked by violence and poverty, yet his own world was abundant with the natural beauty — landscape, flowers, food — for which Sicily is famous. Later he would say that his “deeper and remote inspiration” was found in “my childhood, my people, my peasants . . . the gardens of lemons and oranges”.  

After secretly belonging to the Italian Communist Party in the period when Mussolini was in power – during which he also opposed the neoclassicism advocated by the Fascists – Renato Guttuso became a key figure in the debate that emerged in post-war Italy between the politically engaged neo-realism encouraged by the Fronte nuovo delle arti and abstraction. His oeuvre gradually became influenced both by the new Art Informel trends and by the work of the Pop artists, which he saw for himself at the Venice Biennale of 1964. Furthermore, for a time he indentified with the existentialism of Giacometti and admired the new figuration of Francis Bacon and Gerhard Richter. The Italian painter was always attracted by large compositions illustrating revolutions, disasters or social themes, such as La Battaglia di Ponte dell'Ammiraglio dating from 1951, and selling at auction in 2004 for over $1,000,000.

Today there is a museum named after the artist in Bagheria, and his paintings can be found in major public collections, including MOMA, Art Institute of Chicago, National Gallery of Art, Tate, Hermitage, Thyssen-Bornemisza and more.

When seen online, Coltivazione del limone is an alluring painting. In person it is completely captivating. At roughly 4 x 5 feet, this work commands a room and demands the viewer's attention. It is impossible not to become immersed – and lost – in the lush colors and entangled branches of the lemon trees. The mind delights in losing focus between reality and abstraction. It ranks among Guttuso's finest works.